Is a day job a starting artist or writer's best friend?
Learning to appreciate our day jobs as we pursue our creative endeavors
One of the things I talk about a lot with other artist friends is the desire to go full-time with their creative careers. While I’ve known many creators who have managed to make it work, I’ve also known many where it has led to a lot of heartbreak and financially put them in bad situations. I still work a full-time job, and while it’s challenging to manage it all, I have found it to be a tremendous lift for my creative endeavors, especially when I was just getting started. I talk about it in my newest video.
To summarize the key points of my video, I have learned to see my day job as something that aids me in pursuing the kinds of art I care about. Here’s how:
I changed my perspective
I used to be miserable at my day job, like capital M. I would sit in my car during my lunch breaks, dreading going back into the building and pining for the day I could leave and do the kinds of work I felt I truly cared about. I was looking for every way out. I applied at movie studios, taught art classes, and took on commissions (whether I liked the project or not) so I could try and find something that would allow me to leave.
But then something changed. I realized that I actually had a really great job that provided for my family, and it was me who made it so miserable.
I started thinking about how my day job took the financial pressures off of me so that I could pursue the things I truly cared about in my off hours instead of looking for a way out. When money or changing my career was not my chief concern, I stopped trying to take on artistic pursuits that weren’t furthering my ultimate goal of becoming a professional comic book artist. I stopped taking on commissions and building portfolios for a job search and wholly focused on my pursuits as a comic artist. Freed from my frustrations, I could dive into my comic work with energy and excitement. I made decisions that were good in the long run, like learning how to finish a book.
Simply learning to be grateful for what I had made such a difference.
I looked for ways to use the spare moments
Depending on your work situation, we often have moments to spare at work or on our commute. Maybe you’re waiting on something from a co-worker (as was the case when I worked in television), or you’re stuck on a train. While others would use these moments to browse the internet, I would try to be intentional with my spare moments and ask if I could do anything to advance my projects instead of wasting time.
I often think of the hugely popular author Brandon Sanderson and a story he tells about a night shift job at a hotel he picked up specifically because it allowed him to write when there was nothing going on. He would use the open spaces when there was simply nothing to do but wait and use that time to make progress. He wrote several books this way.
The principle is simple: use your time well. And be a good employee, of course!
I learned valuable lessons about productivity and professionalism
There’s more to being a professional artist than just drawing or writing. As I’ll talk about more in upcoming installments, I quickly realized that I was terrible at basic productivity practices and organization. These business and interpersonal skills play a massive role in your success and often go unnoticed.
I started implementing skills I was learning on the job into my comics practices and saw a huge lift in all areas of my work life. I suddenly had systems for getting things done and a tool kit to adapt when challenges arose.
It’s hard to quantify how much my day job has impacted me this way, but I’ve learned a tremendous amount because of it, which has helped me be a better creator.
Don’t miss this! Look for ways to learn from your job.
When is it time to quit?
Now, I’m not saying all of this to tell people that they shouldn’t ever go full-time with their art. Instead, I’m encouraging you to see your situation as something that can help you in your pursuits of creativity. At some point, you may be able to leave and do your creative work full-time, or maybe your creative work will open up new opportunities for you in the world of employment, as it has for me.
Keep on keepin’ at it!
New book update: Project “Deepwater Creek”
Production is entering its final months on my latest graphic novel, Deepwater Creek. I’m down to just a few weeks now to finish the line art and turn in cover sketches.
I also need to make a few story changes, but overall, they’re pretty small things compared to what they have been.
Now that the story feels more solidified, I’m really beginning to enjoy this book and what I think it can become. Here’s a recent page:
What I’m digging
The 12 Week Year by Brian P. Moran and Michael Lennington. I recently picked this book up after watching Ali Abdaal’s review on his channel. The principle is simple: instead of planning your work over the course of a year, think about it as a twelve-week stretch. Essentially, this is quarterly planning! I always use this process in my business life but have never applied it to my creative endeavors. I am really enjoying the results so far as I implement it into my system.
Lichdom from Feral Wizard is a solo journaling RPG game in which you create the story of a sorcerer’s fall into ruin as they pursue immortality by becoming a lich. I started building my own character as part of the process I am using to create a fun fantasy story. It’s a fantastic game, and I love tools like this, where creativity and storytelling are made fun and unexpected.
Notion—I was this year’s age when I finally learned about Notion, the powerful digital workspace tool, and wow! I am blown over by it. I am only a few weeks into using it, but I adore it and its flexibility to build workflows that work for me. I’m even writing his newsletter in it!
Check out my book The Sleepover
The Sleepover follows a group of kids as they try to cheer up their friend, Matthew, following the loss of a loved one with a sleepover party. But things turn nightmarish when they begin to suspect their babysitter is a witch from a local legend.
Hi Michael. Seeing someone else being in the exact same day-vs-creative job tug-of-war I've been for much of my professional life is uplifting in the sense of not being the only one at it. Sorry if I get wordy here — have a lot to say about this. Will try not to go overboard.
I actually majored in fine arts and have made lots of children's illustrations and character design. However well before graduating I had a hand with technology and it was easier to get jobs and money that way, first on web design, then on UX, and when I realized it more than 20 years had passed and was already known in local circles as a trailblazing UX specialist. But what I always really wanted to do was make comics stories, animations, create funny characters. Tech was meant to be just a temp gig to get some money and go back at creativity after some time. Well, I ended up liking earning money best. How naive in my part.
Two years ago I was fired from my last office job. That was bad for sure but realizing I had a good bunch of savings, investments and no debts, I decided I should use this period of time as a learning sabbatical to plunge deep into all the learning and workshops on MG comics and illustration I could get my hands on. After lots and lots of trial and error and false starts, I'm finally getting to work on a pro level middle grade GN pitch featuring my original characters and stories. I have also learned that my issue with full time job positions was more one of energy than time. Commuting, workplace stresses and responsibilities — I ended up returning home more often than not wasted and with no will to work on my personal projects after hours. This is something I need to be wary about should I need to return to the corporate trenches again — as making a living exclusively off art is quite a tough call.
This is so good. Thanks, Michael. Needed this.